Browsing School of the Arts, Media, Performance & Design (AMPD) by Issue Date
Now showing items 21-40 of 137
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Suzuki Rhythm Mnemonics in Pedagogical Theory and Actual Realization
(2011-08-01)The Suzuki Violin School volumes begin with variations on “Twinkle, Twinkle, Little Star.” Each variation consists of a repeated rhythmic figure. Suzuki teachers use mnemonics to teach these rhythmic figures. Two of ... -
Remodeling Southeast Asian Tunings
(2013-08-09)Since the pioneering reports of Ellis (1884, 1885) and Stumpf (1901), studies of Southeast Asian tunings have been methodologically problematic. Abstract numbers, empirical measurements, indigenous claims, and perceptual ... -
Partials, Beats, Roughness, and ERBs
(2015-02-13) -
Notes to Accompany Partials, Beats, Roughness, and ERBs.xlsx
(2015-02-13) -
Pairs of Interval Classes in Southeast Asian Tunings
(2015-02-21)Construed non-numerically (Rahn 2011, 2012, 2013), the following normal-Forte-order formulations accurately model southeast Asian fixed-frequency tunings: sléndro 11111…, the ‘usual’ pentatonic 22323…, Thai pentatonic ... -
Decrease in roughness between ~600 and ~500 cents
(2015-03-30)Accompanies Figure 4 of 'Clarity, Impurity, and Discant Structure in Mesopotamian Music,' to which it linked. -
Clarity, Impurity, and Discant Structure in Mesopotamian Music
(2015-03-30)According to a widely accepted interpretation, the “unclear” (la-zakû) intervals of Mesopotamian tuning were tritones, which became “clear” (zakû) intervals—in modern terms, perfect 5ths or 4ths—by tightening or loosening ... -
Letter-name transnotations of the Hurrian pieces
(2015-04-09) -
Five Stages of Roughness between 600 and 500 cents
(2015-04-10) -
Micro-Structure, Macro-Structure, and Genre in ’Are’are Solo Polyphonic Raft Panpipe Music
(2015-08-14)In his classic account of ’Are’are solo polyphonic raft panpipe music, Hugo Zemp (1981a, 1981b, 2001) has drawn attention to pulsations within individual tones, non-legato articulation, segmental (‘Buchstaben’) form, and ... -
Bonang Panerus Slendro Tones
(2015-08-23) -
BonangBarungSl1l & Sl2l sine
(2015-09-17) -
bonangbarungsl with sines
(2015-10-09)12 bonang barung slendro tones of gamelan Kyai Parijata in ascending order, as posted at http://www.marsudiraras.org/gamelan/. Each bonang barung slendro tone is followed by a 2-second sine tone having the same frequency, ... -
bonangpaneruspl with sines
(2015-10-09)14 bonang panerus pelog tones of gamelan Kyai Parijata in ascending order, as posted at http://www.marsudiraras.org/gamelan/. Each bonang panerus pelog tone is followed by a 2-second sine tone having the same frequency, ...