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Letter-name transnotations of the Hurrian pieces
Decrease in roughness between ~600 and ~500 cents
Accompanies Figure 4 of 'Clarity, Impurity, and Discant Structure in Mesopotamian Music,' to which it linked.
BonangBarungSl1l & Sl2l sine
Bonang Panerus Slendro Tones
Spectra of Bonang Barung Pelog Tones
See 'Notes to Accompany Gamelan Spectra'
Fundamental Frequencies and Other Partials of Balungan Pélog Tones in Gamelan Kyai Parijata
Accompanies the file Balungan Pélog Tones of Gamelan Kyai Parijata Compared with Sine Tones.pdf
bonangbarungsl with sines
12 bonang barung slendro tones of gamelan Kyai Parijata in ascending order, as posted at http://www.marsudiraras.org/gamelan/. Each bonang barung slendro tone is followed by a 2-second sine tone having the same frequency, ...
bonangpaneruspl with sines
14 bonang panerus pelog tones of gamelan Kyai Parijata in ascending order, as posted at http://www.marsudiraras.org/gamelan/. Each bonang panerus pelog tone is followed by a 2-second sine tone having the same frequency, ...
Suzuki Rhythm Mnemonics in Pedagogical Theory and Actual Realization
The Suzuki Violin School volumes begin with variations on “Twinkle, Twinkle, Little Star.” Each variation consists of a repeated rhythmic figure. Suzuki teachers use mnemonics to teach these rhythmic figures. Two of ...