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Perceptually Based Theory for World Music Tunings 

Rahn, Jay (2011)
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Five Stages of Roughness between 600 and 500 cents 

Rahn, Jay (2015-04-10)
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Frequencies and frequency ratios in 3 Thai ensembles 

Rahn, Jay (2017-07-26)
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Frequencies and frequency ratios in 15 Thai ensembles 

Rahn, Jay (2017-07-26)
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Roughness measurements throughout an octave 

Rahn, Jay (2019)
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Roughness measurements across an octave 

Rahn, Jay (2017)
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300 Hz to 6 partials, cumulatively 

Rahn, Jay (2019)
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Pairs of Interval Classes in Southeast Asian Tunings 

Rahn, Jay (2015-02-21)
Construed non-numerically (Rahn 2011, 2012, 2013), the following normal-Forte-order formulations accurately model southeast Asian fixed-frequency tunings: sléndro 11111…, the ‘usual’ pentatonic 22323…, Thai pentatonic ...
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Clarity, Impurity, and Discant Structure in Mesopotamian Music 

Rahn, Jay (2015-03-30)
According to a widely accepted interpretation, the “unclear” (la-zakû) intervals of Mesopotamian tuning were tritones, which became “clear” (zakû) intervals—in modern terms, perfect 5ths or 4ths—by tightening or loosening ...
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Khong Wong Yai Octaves 

Rahn, Jay (2018-06-13)
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Rahn, Jay (82)
Ebin, Zachary (1)Subjectgamelan (18)tuning (16)Kyai Parijata (15)slendro (14)pelog (11)bonang barung (9)bonang panerus (7)Thai classical music (7)Central Java (6)fundamental frequency (6)... View MoreDate Issued2010 - 2020 (74)2000 - 2009 (3)1990 - 1999 (2)1980 - 1989 (1)1978 - 1979 (2)Has File(s)Yes (82)

All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.

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