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Glenda del E Live Recording 

Vitier, Jose Maria; Lecuona, Ernesto; Cervantes, Ignacio; Saumell, Manuel; del Monte-Escalante, Glenda (GdelE Productions, 2008)
This repertoire represents a continuous tradition of Cuban Piano Music dating from the nineteenth century. It has its origins in England, Spain, France, while its rhythm and syncopated style derive from Africa.
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From Drawings by the Blind to Music by the Deaf 

Rahn, Jay (2004-11-01)
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Implicit learning of Indian music by Westerners 

Rahn, Jay (2004)
Studies by Bigand and Barrouillet (1996), Perruchet, Bigand, and Benoit-Gonin (1997), Bigand, Perruchet, and Boyer (1998),Tillmann, Bharucha, and Bigand (2000) show that listeners exposed to only a few minutes of stimuli ...
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Marchetto of Padua's Theory of Modal Ranges 

Rahn, Jay (Hawaii International Conference on the Arts and Humanities (HICH), 2007-01-01)

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AuthorRahn, Jay (3)Cervantes, Ignacio (1)del Monte-Escalante, Glenda (1)Lecuona, Ernesto (1)Saumell, Manuel (1)Vitier, Jose Maria (1)Subjectcochlear implants (1)Cuban Piano Music: Contradanza (1)Cutaneous Grooves (1)Deaf culture (1)demography (1)drawing by the blind (1)finite-state grammar (1)hard of hearing (1)implicit learning (1)John Kennedy (1)... View MoreDate Issued2004 (2)2007 (1)2008 (1)Has File(s)Yes (4)

All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.

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